It is difficult to distinguish painters to belong to only one subgroup because of the many similar characteristics of the sub-groups. Apart from Lyrical Abstraction, they included groups such as" Forces Nouvelles," "CoBrA," "Tachisme," "Art Brut," and "Art Non Figuratif."Īll these groups and sub-groups have one thing in common – they were abstract or semi-abstract in that they all rejected styles such as Geometric Abstraction, Naturalism, and figurative genres. Numerous sub-styles and sub-groups were accommodated under this umbrella. In the 1900s, Lyrical Abstraction in Europe was accommodated under the 'Art Informel' umbrella. The exhibition was one of many more to come all over Europe, making Lyrical Abstraction popular. The term' Lyrical Abstraction' was used by the exhibition co-organizer and lyrical artist Georges Mathieu because of the variety of abstract works with a lyrical nature being displayed. The 1947 exhibition was held at the "Galerie du Luxembourg" in Paris and included lyrical artworks works by Jean-Paul Riopelle (1923-2002), Alfred Otto Wolfgang Schulze (Wols) (1913-51), and Hans Hartung (1904-89), to name a few. ![]() It happened at a post-World War II exhibition entitled "L'Imaginaire." However, the term' Lyrical Abstraction' for paintings was only used for the first time in 1947. His abstract paintings were always imaginative, emotive, expressive, passionate, and subjective - in other words, lyrical. To describe the concept of Lyrical Abstraction in paintings, Kandinsky compared his lyrical artworks to musical compositions, abstractly communicating emotion. In the 1960s and 1970s, Lyrica Abstraction also emerged in the US – the so-called American Lyrical Abstraction. The Lyrical Abstractionists in Europe were opposed to the remains of pre-World War II art styles, including movements such as Cubism, Surrealism movement, and, not to forget, the famous geometric art. OriginĪfter World War II, Lyrical Abstractionism blossomed in Europe – especially France. Color always predominated over shape, and the artists used different colors to represent different emotions. Some of them, however, created famous war paintings and large oil paintings filled with passion. The Abstraction painters' favorite technique was watercolor. They believed that with their technique, they expressed their emotions better, and the viewer of the painting could also - be losing the real context of the work - more easily come into contact with the artist's emotions. Their point of departure was that because they painted freely with no preconceived ideas of an objective world, they did not know what meaning there might be in their lyrical artworks. In the 1900s, the goal of Abstraction artists was to create new forms to express their emotions. In other words, an Abstraction artist either abstracts elements from an object creating a more simplified form, or creates a work of art that has no source in actual reality. Wassily Kandinsky is regarded as the father of Abstraction.Ībstraction can be described as the art of not representing things as exact pictures. ![]() In 1910 the Russian painter, Wassily Kandinsky, created the painting "First Abstract Watercolor." This avant-garde work is seen as the beginning of what has become later known as Abstraction. Lyrical Abstractionism's roots are found at the beginning of the 1900s. We'll also discuss whether there were differences between Lyrical Abstraction in Europe and the United States. To understand Lyrical Abstraction better, we'll look at its history and origin and put it in perspective with other art tendencies and groups. All the artist groups who were accommodated under the 'Art Informel' umbrella broke away from established aesthetic traditions. The term' Lyrical Abstraction' refers to only one of the tendencies or movements within 'Art Informel' of the 1940s and 1950s. ![]() Many art scholars describe Lyrical Abstraction as an art movement, but it was more a specific trend in the 1900s within abstract painting.
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